Jerome Knox’s well sung, charming Giovanni showed what fun a life of sexual crime might be (Opera Magazine, October 2018 edition)
Director Laura Attridge cites Giovanni as a symbol of “toxic male entitlement”, but still allows Jerome Knox to exude laid-back charm, carried on a taut vocal line
The Stage review, Don Giovanni with Waterperry, Aug 2018
The men were especially good, led by a hugely impressive Death from Jerome Knox, whose warm, humane baritone was a beautiful thing to listen to
Seen and Heard International review, Jan 2018
Jerome Knox was a wide-eyed Faust
Telegraph review of The Fiery Angel with Scottish Opera, Dec 2017
Jerome Knox had less to do as Faust, but still made an effect
Opera Scotland review, Dec 2017
Jerome Knox's Falke was Mr Debonair in person - enough to qualify for an acting career if he wants (Opera Magazine, July 2017)
Lynn Bellamy and Jerome Knox made a splendid comic turn as Narciso and Pallante (Opera Now, April 2017)
Jerome Knox’s Don Giovanni is believably gorgeous, visually and musically, exuding an erotic charge which fires the whole performance and keeps the audience, as well as every woman on stage, in thrall
Bachtrack review of Don Giovanni with Hampstead Garden Opera, Nov' 2015
Jerome Knox’s Giovanni is a three hour tour de force: well voiced, authoritative, and able to squeeze the humour out of this sordid tale
Ham and High review of Don Giovanni with Hampstead Garden Opera, Nov' 2015
Amid much strong singing, Jerome Knox's Professor stood out with wonderful sonorous tone
Bachtrack review of Hogarth's stages at Tete a tete festival, May 2015
Jerome Knox’s bass Melisso made a telling contribution
York times review of Handel's Alcina at Ryedale festival, July 2016